For his first directing job at TA, Simon Stone mixed the tragedy by Euripides with the true story of a child murderer in the US in the 1990s. The result is gripping. The inalienable and inconceivable core of an old myth is swirling and fermenting beneath the surface of a recognizable contemporary story.
Medea is called Anna in this version, a successful doctor who is trying to get on with her life after a forced confinement. She is willing to forgive the affair of her husband with a younger woman played by Gaite and to make a new start with him and the children. Soon it turns out that their plans for the future do not correspond. Anna is in danger of losing everything: her husband, her children, her career. She is cornered and sees only one way out.